LoveCraft Country: Another Lesson in Representation

An essay about Misha Greene’s and HBO’s Lovecraft Country and its example-setting use of on & off-screen representation

It was in the final episode of HBO Max’s original series LoveCraft Country — Misha Green’s follow up from her lesser-known 2016 breakout Hulu series Underground — in which I began to notice the subtle achievement of the recognition of the world outside of…