Published inAn Injustice!Andor Swings Too Far Into RealismA review for Season One of Andor & how it’s imbalance between genre and realism keeps me from falling in love with it.May 12A response icon16May 12A response icon16
Published inFanfareThunderBolts* Gives the MCU Its Humanity BackA review for Marvel studios’ Thunderbolts* & how it reminds us its the small moments that make these movies work.May 4A response icon2May 4A response icon2
Published inFanfareAdaptation Requires Change: So Why Do Fans Fear It?Last of Us: Season Two is another great example of this odd expectation. MASSIVE SPOILERS!Apr 28A response icon7Apr 28A response icon7
Published inFanfareDareDevil: Born Again, Sinners, & Why Filmmakers MatterA review for “Born Again” & “Sinners” and a broader examination at how the right filmmaker can make or break a projectApr 25A response icon11Apr 25A response icon11
Published inFanfare‘The Pitt’ & ‘WarFare’: Are We Seeking More Realism from Our Film & TV?Has the craving for authenticity found its way into our stories?Apr 16A response icon12Apr 16A response icon12
Published inFanfareStorytellers Can Be Confined, and That’s OkayGreat storytellers shouldn’t be judged by their versatility, but their potencyApr 7A response icon6Apr 7A response icon6
Published inFanfareSeverance Is Just Okay, Right?A review for Apple TV & Ben Stiller’s workplace sci-fi comedy/drama, and what it means to feel out of the loop on popular art.Apr 2Apr 2
Published inFanfareThe Monkey Is Absurd, Horrific, and It’s GreatThe best version of a story is authentic and Osgood Perkins’ proves thatFeb 22A response icon3Feb 22A response icon3
Published inFanfareWhy 2025 is Make or Break for Superhero MoviesIt was hyperbole in 2024, but now times are dire for the genre of capes and masksFeb 19A response icon8Feb 19A response icon8
Published inFanfareCaptain America: Brave New World is More of the SameWhen did Marvel forget their characters should be center stage?Feb 15Feb 15
